Saturday, August 19, 2006

WILLIAM SHATNER



It seems that Comedy Central is roasting Captain Kirk/T.J. Hooker tonight (Sunday) at 10 PM EST. Thus, it seems appropriate that we take at least some small sliver of time to celebrate this mercurial Canadian's multi-dimensional talent(s). He is, after all, a singer at heart.

Well... more like a "TALK-singer," with a style so car-crash compelling you just can't look away (or plug up your ears) quickly enough to prevent your brain from imploding out of sheer, self-preserving mercy.

Now... partake of the unique, self-satisfied-yet-self-deprecating genius that is WILLIAM SHATNER!

[MP3] [YouSendIt] "Common People"
[MP3] [YouSendIt] "It Was a Very Good Year"
[MP3] [YouSendIt] "Mr. Tambourine Man"

BONUS TRACKS >>>

[MP3] [YouSendIt] Pulp/"Common People"
[MP3] [YouSendIt] Frank Sinatra/"It Was a Very Good Year"
[MP3] [YouSendIt] Bob Dylan/"Mr. Tambourine Man"

MORE BONUS TRACKS >>>

[MP3] [YouSendIt] R.E.M./"Where's Captain Kirk?"
[MP3] [YouSendIt] Spizzenergi/"Where's Captain Kirk?"

Friday, August 18, 2006

THE KNIFE



Talk about preaching to the choir.... Few bands have been more "blogged upon" than the Knife in the past year or so. Of course, their new album, Silent Shout [Mute Records], wasn't officially released in the U.S. till late July '06, but songs from that record, as well as countless remixes, have been buzzing the blogosphere for just about forever now.

I don't really know where this Swedish duo came from (well... Stockholm, apparently). But they've been together seven years now, and it wasn't till sometime in '05 that I first heard of them. (They're brother and sister, actually, so I guess they've been "together" for more than seven years - which sort of automatically makes them more interesting than, say, Roxette. But perhaps still LESS interesting than, say, ABBA.) (Marital dynamics, and all that.)

The first time through Silent Shout, I was especially impressed by just four of its songs - "Marble House," "Forest Families," and the two offered - for a limited time - below. With repeated listens, however, one comes to realize that this is an of-a-piece album; the mood it evokes is as important as the tunes themselves. Honestly, I can't remember the last time I heard something this cool, spooky, and spectral. It's night-driving music. In winter. While contemplating suicide. Or lost love. Or some such.

Go to the Knife's MySpace page [here] to check out some U.S. live performances they have planned for November.

From the LP Silent Shout, 2006 >>>
[MP3] "Silent Shout"
[MP3] "Neverland"

From the LP Deep Cuts, 2003 >>>
[MP3] "Listen Now"

From the soundtrack to Hannah Med H, 2003 >>>
[MP3] "The Bridge"

BONUS TRACK >>>

[MP3] Stina Nordenstam/"Parliament Square" [The Knife Remix]

Thursday, August 17, 2006

SILVERSUN PICKUPS


Don't feel like typing today. Or yesterday. Maybe tomorrow. But wanted to share some music. From Silversun Pickups. Of Los Angeles. USA. Hopefully will feel like typing again soon. Stay with me.

From the LP Carnavas, 2006 >>>
[MP3] "Lazy Eye"
[MP3] "Dream at Tempo 119"

From the EP Pikul, 2004 >>>
[MP3] "Kissing Families"

Tuesday, August 15, 2006

COSMIC ROUGH RIDERS


Lead singers leaving (or being left behind) by their bands is hardly a new phenomenon. Think: Syd Barrett and Pink Floyd. Peter Gabriel and Genesis. Tim Fletcher and the Stills (sort of). David Lee Roth, Sammy Hagar, Gary Cherone, and David Lee Roth (again) with Van Halen.

So it shouldn't have come as a huge shock when Daniel Wylie - lead singer/songwriter for Scottish folk-rockers Cosmic Rough Riders - left the band after their acclaimed first album to pursue his solo aspirations. The Riders' other principal songwriter, Stephen Fleming, quickly stepped into the breach, and the group released their latest disc, Stars Look Different from Down Here, back in July.

There are plenty of people in the world who have never come to grips with the loss of Wylie and long ago gave up on Cosmic Rough Riders. And it's undeniably true that the group's newer material lacks some of the Byrds-ian harmonizing that they were once known for. You can decide for yourself whether this "new" incarnation of a once highly-promising band is worthy of your time and attention.

Visit Cosmic Rough Riders' MySpace page [here].

From the LP Stars Look Different from Down Here, 2006 >>>
[MP3] "When You Come Around"
[MP3] "Don't Get Me Down"

From the LP Enjoy the Melodic Sunshine, 2000 >>>
[MP3] "Revolution (In the Summertime?)"
[MP3] "Baby, You're So Free"

From the LP Deliverance, 1999 >>>
[MP3] "Still a Mother's Son"

Friday, August 11, 2006

SING-SING/LUSH


Friday nights just cry out for carefree, borderline-frivolous pop, and I am here to supply it.

Sing-Sing is led by vocalists Emma Anderson and Lisa O'Neill. Anderson, some may recall, was also part of the '90s shoegaze/pop outfit Lush.

But it's Friday night, the Tigers are playing the White Sox, and that's all I feel like writing. Enjoy the tunes.

From the LP Sing-Sing and I, 2006 >>>
[MP3] "Lover"

From the LP The Joy of Sing-Sing, 2002 >>>
[MP3] "Feels Like Summer"

BONUS TRACKS >>>

[MP3] Lush/"Ladykillers"

[MP3] Lush [w/Jarvis Cocker]/"Ciao!"

[MP3] Lush/"Light from a Dead Star"

Thursday, August 10, 2006

GUSTER





If I'd had a blog back in 2004 and had compiled a Top 10 album list for that year, Guster's Keep It Together would have likely made my top five. So it was with much anticipation that I popped their new record, Ganging Up on the Sun, into my CD player and punched PLAY. Alas, beware great expectations....

Way back in 1999, I wrote a review of Guster's then most recent release, Goldfly. At the time, I referred to them as a "bongo-pop band," as they did seem to have an affinity for that particular instrument back in the day. I also made the point that the trio had made whatever reputation it had at the time through its tireless touring and eagerly-received live performances. In reviewing the album, however, I found their sound to be somewhat generic. I compared them to everyone from Counting Crows to Gin Blossoms; Rusted Root to Ben Folds Five. Well, what goes around comes around, I guess, as the Ben Folds reference seems fresh and fitting again on Ganging Up's piano-poppy "Manifest Destiny." And "One Man Wrecking Machine" - one of the new album's true highlights - nonetheless veers uncomfortably close to mid-tempo Fountains of Wayne.

The last point I made in my Goldfly review of yesteryear was that it sometimes takes time for performance-oriented bands to find their feet in the recording studio. Hell, some never do.

But Guster proved with Keep It Together that they could master the recorded form by expanding their sound and slickening it up without selling out to the suits. Production-wise, Ganging Up on the Sun continues in the same expansive, layered vein, but the tunes just aren't as sharp as the ones that appeared on its predecessor. The melodies just aren't as memorable. And the second half of the record drags a bit, pace-wise.

Still, Guster has made great strides in their 14 or so years of existence, and there's every reason to believe that their next album could be an absolute masterpiece. In the meantime, I'll pull Keep It Together off the shelf, shake off the dust, pop it into my CD player, and punch PLAY.

Guster's MySpace page.

[Guster will be performing with members of the Boston Pops on Late Night with Conan O'Brien tonight. Check your local listings.]

From the LP Ganging Up on the Sun, 2006 >>>
[MP3] "Satellite"
[MP3] "The New Underground"

From the LP Keep It Together, 2004 >>>
[MP3] "Careful"
[MP3] "Amsterdam"

From the LP Goldfly, 1997 >>>
[MP3] "Rocketship"

Wednesday, August 9, 2006

NEW LONDON FIRE



Okay, now on to Sleep Station singer/songwriter David Debiak's OTHER band - New London Fire. Their debut album, Sing the Body Holographic, was released yesterday on Eyeball Records. You can also purchase it at Amazon.com [here].

New London Fire definitely has a different sound than Sleep Station. It tends to be fuller and perhaps a bit faster. It's electro-pop of a sort - somewhere between the Killers and Keane. They also are clearly not afraid of incorporating borderline-cheesy synth sounds into their mix (check out the "Final Countdown"-ish freakout that serves as coda to the song "Different").

[MP3] "Different"

[MP3] "We Don't Bleed"